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Girl with a Pearl Earring, Deluxe Edition Paperback – Deckle Edge, August 30, 2005
- Print length233 pages
- LanguageEnglish
- PublisherPenguin Books
- Publication dateAugust 30, 2005
- Dimensions5.65 x 0.71 x 8.38 inches
- ISBN-100452287022
- ISBN-13978-0452287020
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Product details
- Publisher : Penguin Books; Deluxe edition (August 30, 2005)
- Language : English
- Paperback : 233 pages
- ISBN-10 : 0452287022
- ISBN-13 : 978-0452287020
- Item Weight : 9.6 ounces
- Dimensions : 5.65 x 0.71 x 8.38 inches
- Best Sellers Rank: #1,678,138 in Books (See Top 100 in Books)
- #14,287 in Coming of Age Fiction (Books)
- #18,640 in Contemporary Literature & Fiction
- #70,743 in Literary Fiction (Books)
- Customer Reviews:
About the author
Tracy is the author of 10 novels, including the international bestseller GIRL WITH A PEARL EARRING, which has sold over 5 million copies and been made into an Oscar-nominated film starring Scarlett Johansson and Colin Firth. American by birth, British by geography, she lives in London with her husband and son. Her latest novel, A SINGLE THREAD, tells the story of an English woman between the Wars who forges an independent life in Winchester. Tracy is a Fellow of the Royal Society of Literature, and has honorary doctorates from her alma maters Oberlin College and the University of East Anglia. Her website www.tchevalier.com will tell you more about her and her books.
Photo: Nina Subin
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Inspired by a painting by Dutch artist Vermeer, GIRL WITH A PEARL EARRING is a fictional account of how this famous painting came to be. Just as Johannes Vermeer painted this anonymous girl back in the 1660's, author Tracy Chevalier painted a beautiful picture of the world of 17th century Holland and the world of this young girl who eventually becomes the subject of one of his paintings.
Ms Chevalier's story starts with the introduction of Griet, a young teenage girl who lives with her parents and younger sister in a very humble home in the town of Delft. She is helping chop vegetables in their kitchen when her parents receive a visit from two stately looking guests. Griet finds out soon enough that this couple is Johannes Vermeer the painter, and his lovely wife Catharina. Johannes notices how Griet is separating the vegetables by color and his observation does not go unnoticed by Griet. This first brief encounter between them is the spark that starts their new "relationship".
Griet learns then that she is expected in a few days to start working for the Vermeers as their maid. Griet's father is no longer able to work due to an accident he had on the job, and now it is up to Griet to help the family out. Her older brother has already left home, and is learning to make a living at what their father used to do: Make tiles.
A few days later, Griet is living with the Vermeer's and their children and servants. They live lavishly for these times, and Griet soon becomes accustomed to her new life. She returns on weekends to visit her family, but she has to stay with the Vermeers during the workweek.
Griet has many duties as a maid, including doing the laundry and helping out with the children. She slowly bonds with the children, all except Cornelia, who seems to be a trouble maker and tries her best to get Griet into trouble with her parents. This becomes especially evident when, for some reason, Johannes decides to make Griet his assistant, on top of all the duties Griet has to perform as their maid. Because of Catharina's jealousies, his wife is not to know about this special role that Griet was about to play in the house. With the help of Catharina's mother, Griet finds ways to secretly help Johannes "grind" his colors and do other necessary things to help him prepare for painting, in the hopes that Catharina doesn't find out.
Griet falls in love with his paintings, and with him. And soon, all she can think about is him. Since she is now his special assistant, she is privy to his private world of painting, a world that even Catharina is not allowed to trespass. Through the eyes of Griet the reader sees how Vermeer created his beautiful works of art, using a creation that was the forerunner of today's camera. A new world opens up for Griet. Because of this, Griet also knows that she is headed towards danger of losing her job.
GIRL WITH A PEARL EARRING in my opinion was a literary work of art. Maybe I was heavily influenced by the cover, which depicts the actual painting of this girl that Vermeer made famous back in the 17th century. Regardless of the reason, I personally enjoyed this fictional tale of the creation of one of Holland's most famous paintings of the renaissance era.
Johannes Vermeer's 1665 oil on canvas painting, which hangs in The Royal Cabinet of Paintings Mauritshuis in The Hague, is considered one of his masterworks. It is a portrait of a young girl, wearing a turban and a pearl earring, looking over her shoulder, her lips parted slightly, set against a black background. But if you are familiar with Vermeer's body of work, most of which represented the corner of his studio in which he worked, then clearly "Girl with a Pearl Earring" is an atypical work. This painting has raised a series of questions ever since it was rediscovered in 1882: Was the pearl real? What is she wearing a turban? Was the painting intended to be a portrait? Nothing is known about whom Vermeer used as his model, so the biggest question of all is Who was the girl in the painting?
Chevalier answers all of these questions, and more, by creating a young girl named Griet. After her father, a tile maker, is blinded in a kiln accident Griet is sent to work cleaning in the house of Vermeer in the Dutch city of Delft. She is Protestant and the Vermeers are Catholic, which adds another element of strangeness to the young girl when she moves into the house. Vermeer's wife, Catharina, is about to deliver another baby, and Griet is to help with the household work. But she is also given the job of cleaning the master's studio, where she faces the daunting task of cleaning the objects on display without moving them from their position.
Griet is a smart girl, which for some may well be the Achilles heel in the conceit spun by Chevalier since they may well conclude that neither Greit's education nor her experiences would allow her to come up with the deep thoughts she has at critical points in the narrative. But that intelligence is necessary to the story Chevalier wants to tell and the foundation for everything that follows is Griet's common sense conclusion that cleaning the widow's in Vermeer's studio will change the light that falls on his subjects.
"Girl with a Pearl Earring" is about the art of painting and we learn, through Griet's eyes, something of Vermeer's technique, especially with his use of the camera obscura. But it is also something of a love story, in that Griet cannot help but be smitten with the man who ends up painting her portrait, even if the thought that something might actually happen between them never really enters her mind. For a time, in Chevalier's story, Griet serves as a muse of inspiration for a great painter who produced a true masterpiece.
This is not a true story. Most of the characters really lived and you can travel to the Netherlands and see the actual painting, but Chevalier's answer to all of the questions swirling around Vermeer's "Girl with a Pearl Earring" are only creative speculations. Yet in the final analysis Chevalier achieves the ultimate level that author's aspire to when they tell such tales in that we wish that this was indeed a true story. Chevalier makes Griet as memorable as the painting she inspires in this 2000 novel.
On the back of the my copy of this novel author Deborah Moggach, author of "Tulip Fever," says that she read Chevalier's story with a book of Vermeer's paintings beside me. I read "Girl with a Pearl Earring" after not only seeing the movie but after checking out all of Vermeer's paintings online, so that when Chevalier talks about the paintings "Woman with a Pearl Necklace" and "The Concert" I was able to visualize them. I wish that reproductions of those paintings had been included in this novel as well as the cover picture of the titular artwork, the same way I wish that I could see the paintings and architecture that matter in Dan Brown's novels. Since you can easily find a couple of excellent websites with Vermeer's artwork I would strong recommend that even if you have also seen the movie, that you be able to have the same advantage as Griet and be able to study these great paintings.
I have read other historical fiction about real people and enjoyed them very much. I have felt like I learned something about the time and maybe gained a new perspective on the human experience. I almost guarantee that neither of those things will happen when you read this book.